In 2019, Notre Dame Cathedral in Paris was ravaged by a catastrophic fire that severely damaged iconic parts of the historic structure, such as the central tower and roof. The restoration of this centuries-old masterpiece quickly turned into a monumental international effort, drawing on expertise from around the world.
Among those involved was Árpád Rostás, a Hungarian master carpenter whose exceptional talent came to the attention of the French Embassy. The embassy encouraged him to apply for the Notre Dame restoration project, and Rostás did not disappoint. To demonstrate his skills, he restored a crumbling chair from 1880. His impeccable craftsmanship impressed the French experts, who received his work with deep appreciation and admiration.
The path to Notre Dame
According to Origo, Árpád Rostás’s path to international recognition was anything but smooth. Raised in an orphanage, he discovered his passion for carpentry at a very young age. His early fascination with woodcarving became the foundation of his future career. However, passion alone was not enough. Over decades, Rostás honed his craft by studying under master carpenters, learning their secrets and refining his artistry. Rostás’s perseverance, unique vision and deep knowledge eventually earned him a reputation as one of the world’s finest craftsmen.
More than just a carpenter, Árpád Rostás is a master restorer of antique wooden furniture and a leading expert in inlay work. His creations and restorations grace some of the world’s most prestigious landmarks, including the Carmelite Monastery, the Louvre in Paris, Schönbrunn Palace and the Palace of Versailles. He even designed an exquisite cradle for Princess Catherine’s daughter, further cementing his reputation as a craftsman of unrivalled calibre.
The restoration of the cathedral
For the restoration of Notre-Dame, Rostás sourced centuries-old wood from Hungary, salvaged from the ruins of a castle cellar he had purchased. This rare, meticulously selected wood was essential to ensure the authenticity of the restoration. Rostás’ meticulous attention to detail and commitment to restoring the furniture to its original splendour brought the pieces back to their golden age.
Árpád Rostás’ work on Notre Dame has become a source of immense pride, not only for French professionals, but also for the people of Hungary. Rostás’s contributions extend beyond the Notre Dame project; his exceptional skill has left its mark on some of the world’s most treasured landmarks. More than a craftsman, Rostás is an artist whose dedication and talent are a testament to the enduring power of human ingenuity. Árpád Rostás’ legacy is a reminder that the work of skilled artisans can create a legacy that resonates on a global scale.
One of France’s most iconic cultural symbols, Notre Dame is set to reopen to the public in December 2024, five and a half years after the devastating fire. Although the Notre Dame project was originally scheduled to be completed before the Paris Olympics, precision was more important than speed. The reopening ceremony, attended by President Emmanuel Macron and other dignitaries, marked a triumph of craftsmanship and determination. Funded by more than EUR 840 million in donations, the restoration of the cathedral also serves as a beacon for future investment in cultural heritage.
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What an INSPERATIONAL article.
It “Moved” me, made me proud of Hungary, that ALL Hungarians, we should proud, be HONOURED – by this “brothers” rightful acknowledgements.
What a life, this “Master” from “humble” and “less fortunate” beginnings, the “journey” of his life, the LEGACY of his life he will leave, for the global world for century’s on – to admire, respect and love, be in “awe of ” – that displays, exhibits his Mastery.
St. Joseph, the “Chaste” spouse, of Mary, the Mother of Christ Jesus – was a Carpenter.
St. Joseph, principally, in his numbered Patronages, top of his list, is he being the – Patron Saint of Carpenters.
St. Joseph, the simplicity, the humbleness of his “earthly” life, his companionship, respect and love, his support, of the Most Blessed Mary, he no doubt, would be JOYED – as we ALL Hungarians should be, of this “Brothers” achievement.
Notre Dame Cathedral – translated being also known and titled as – Our Lady (being the Virgin Mary) of Paris.
This “brother” Hungarian, his “gift” – the mastery of his work, in his giving, his contribution, to Notre Dame Cathedral, being “raised ” from literally its ashes – BLESSED.
There is an expression ;
“To watch a Master work at anything – is a Privilege”.
The LEGACY of this Hungarian – the privilege NOW – in our lives we have before us, as will “countless” generations, not only of Hungarians, but “Global” people – brings tears from my eyes, that I believe, water the flowers of my heart.